Daily
Variety
Friday, April 3, 1998
The
Patron Saint of Liars
By Carole Horst
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(Drama
telepic; CBS, Sun. April 5, 9 p.m.)
Filmed in Winston-Salem, N.C., by Patchett
Kaufman Entertainment. Executive producers,
Kenneth Kaufman, Lynn Roth; producers, Stephen
Gyllenhaal, Ed Solorzano; director, Gyllenhaal;
writer, Roth, based on the novel by Anne
Patchett; camera, Greg Gardiner; editor,
Brent White; production design, William
Strom; sound, Stephen R. Smith; music, Daniel
Licht; casting, Junie Lowry-Johnson, Ron
Surma. 2 HOURS.
Rose Cleardon ....................Dana Delany
Sister Evangeline............Sada Thompson
Son.....Clancy Brown
June Clatterbuck................Ellen Burstyn
Cecilia (age15)....Nancy Moore Atchison
Mother Corrine...................Jill Gascoine
Sister
Bernadette......Debra Christofferson
Beatrice.................................Lisa
Reiffel
Angie................................Marissa
Ribisi
Thomas Cleardon.....John Putch .....Thomas
Lorraine.....................Maggie Gyllenhaal
Mrs. Stanton.................Mary Joan Negro
Father O'Donnell.........Tony Mockus
Sr. Joseph Clatterbuck................Brett
Pryor
Ann Clatterbuck...............Daria Sanford
Toddler Cecilia................Chrissy Mullins
Adaptation of bestseller "The Patron Saint
of Liars" should pull big femme numbers
for CBS --- the tale of faith and everyday
miracles unfolds with compelling drama,
and Dana Delany delivers a standout perf
in a portrait of a complex, tortured woman.
But adaptation skips some plot elements,
leaving viewers to make a leap of faith
and sometimes logic.
Telepic begins with a miracle: In the early
'20s, feverish little June in the backwoods
of Kentucky is on death's door. Her Pa runs
for the doctor, trips, and, as he's lying
in pain, the earth rumbles around him and
releases hot bubbling water that cures his
ankle. He brings June to the springs, and
her fever disappears.
Flash forward to 1981. A pregnant Rose (Delany)
leaves her husband and travels to a home
for unwed mothers in Kentucky. Home is an
old resort hotel that June's parents built
to house the sickly, once word about the
"miracle" hot springs got around. But the
springs have dried up, and the hotel has
been given to the Catholic church.
Rose finds her niche in the kitchen, helping
out wise Sister Evangeline (Sada Thompson)
and attracting the kind and sincere local
handyman, Son (Clancy Brown). But she's
private about her past. The smitten Son
eventually proposes marriage. Rose, who
wants to keep her baby, rushes Son off to
the JP that night.
Rose and Son raise her little girl, Cecilia,
and the adult June (Ellen Burstyn), who
still lives adjacent to the old hotel, becomes
another close friend of the little family.
Rose's world is circumscribed and cold,
but when a teen Cecilia (Nancy Moore Atchison)
starts asking the wrong questions, and Rose's
first husband, Thomas (John Putch), shows
up, things begin to quake.
Plot builds to melodramatic conclusion,
with tugs at heartstrings and an uplifting
climax.
Lynn Roth creates a script that revolves
around themes of faith and everyday miracles
--- the birth of a child, the beauty of
a hand-built chair. She slowly rolls out
provocative facets of Rose, hooking the
viewer, and her script intelligently builds
in the first hour, hinting at secrets and
possible motivations.
But holes in second half force the viewer
to try to fill in plot gaps and relationships.
Why does Rose walk out of her first marriage?
What's her relationship with her mother?
And while Burstyn is merely a cameo, her
character is essential.
Delany's Rose is weak, strong, emotional
and cold, and her performance is subtle,
quietly sketching this woman who tries to
work through guilt and come to terms with
happiness.
Brown is all warm strength as Son, and Atchison
also convinces as the precocious, loving
and needy Cecilia.
Stephen Gyllenhaal's direction successfully
creates Rose's enclosed world, and he gets
nice perfs from Thompson and Burstyn. Cameraman
Greg Gardiner gets the best from the North
Carolina locations, and rest of the tech
credits are tops.
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